Multilingual Music Glossary

# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Found a word you don't know? No problem. Look it up in the Music Glossary!

We are currently providing explanations for 2484 terms from 12 languages, including English, Italian, French, German, Spanish, Dutch, Swedish, Finnish, Latin…

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Please note: a music glossary is just like a dictionary. It contains explanations to musical terms. If you are looking for a piece, please go here instead: search tunes.

Some random terms

  • oral transmission Preservation of music without the aid of written notation.
  • sheet music A generic term to mean any piece of paper with the notation of a composition printed on on it.
  • festivo [Italian] Merry, festive.
  • laisser vibrer [French] A directive to the performer of a harp, piano, cymbal, or other struck or plucked instrument that the sound should not be damped or stopped after the initial attack, but should be allowed to die away naturally.
  • lai [French] A song form composed in northern Europe, mainly France and Germany, from the 13th to the late 14th century.
  • canticle A sacred hymn or song.
  • sereno [Italian] Serene, calm.
  • marziale [Italian] Martial, with a military feeling.
  • early music European music from the Middle Ages, the Renaissance and the Baroque.
  • sonata-rondò [Italian] A form of a composition that displays characteristics of both the rondò and the sonata forms.
  • planctus [Latin] Medieval style of song and poetry of a lamenting character.
  • minor Term referring to a sequence of notes that define the tonality of the minor scale. The main difference from the major scale is the third, which is lowered by a semitone. The sixth and seventh degrees are usually lowered, too, generating the natural minor scale.
  • polonaise [French] Stately Polish processional dance in triple meter.
  • Burgundian chanson Fifteenth century French composition, usually for three voices, some or all of which may be played by instruments.
  • gymel A Medieval technique of splitting one voice part into two parts, both with the same range. In most cases the voices would start and end together, but would diverge in the middle of the composition.