Multilingual Music Glossary

# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Found a word you don't know? No problem. Look it up in the Music Glossary!

We are currently providing explanations for 2484 terms from 12 languages, including English, Italian, French, German, Spanish, Dutch, Swedish, Finnish, Latin…

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Please note: a music glossary is just like a dictionary. It contains explanations to musical terms. If you are looking for a piece, please go here instead: search tunes.

Some random terms

  • col [Italian] “With the”
  • accelerando [Italian] Gradually accelerating or getting faster.
  • presto [Italian] Fast tempo marking, usually around 168–192 BPM.
  • stinger A chord at the end of a march that is used to punctuate the ending of the composition. The stinger is typically played by the entire ensemble on the last beat of the last measure of the composition and contains an accent.
  • close The ending of a composition or passage.
  • split E mechanism On a flute, a system whereby the second G key (positioned below the G♯ key) is closed when the right middle-finger key is depressed, enabling a clearer third octave E; standard on most flutes, but omitted from many intermediate- and professional-grade flutes, as it can reduce the tonal quality of 3rd octave F♯.
  • flute A woodwind instrument that is held horizontally and sounded by blowing across the mouthpiece of the instrument.
  • obbligato [Italian] Literally, “obligatory”. Important part of a music that that should not be omitted.
  • sonata da chiesa [Italian] A baroque instrumental work intended for performance in a church, generally in four movements, arranged slow, fast, slow, fast.
  • modo [Italian] Way, manner.
  • fugato [Italian] In the style of a fugue.
  • basso continuo [Italian] Literally, “continuous bass”. A bass part that runs continuously throughout a work, characteristic of Baroque music.
  • assai [Italian] Much, very much.
  • belebend [German] Lively.
  • passacaglia [Italian] Baroque form in moderately slow triple meter, based on a short, repeated base-line melody that serves as the basis for continuous variation in the other voices.