This is the fourth piece from 30 Etüden in allen Tonarten für Flöte (“30 Studies in All Keys for Flute”), Op. 6, by German flutist Emil Prill. It was first published in Leipzig in 1894.
This gavotte “in the French style” is the fourth movement of the fifth of six Concerts à deux Flutes Traversières sans Basse by the French Baroque composer Michel Pignolet de Montéclair. Here the French word concert is a synonym of “suite”, and has nothing to do with the Italian concerto.
This is the third movement of the fourth of 12 sonatas for flute and continuo that Italian composer Pietro Antonio Locatelli published in Amsterdam in 1732.
Thanks to Maria for suggesting this piece!
This hornpipe is taken from Francis O'Neill's collection Waifs and Strays of Gaelic Melody, published in Chicago in 1922. O’Neill’s source was John Kelly, “a fiddler of phenomenal execution” originally from County Roscommon, Ireland.
Today we propose the fourth study from Twenty-Four Etudes for Flute, Op. 21, by Danish flutist Joachim Andersen. It was first published in 1886.
This short flute trio is taken from Blake's Young Flutist's Magazine, published in Philadelphia in 1833.
The White Lady (La dame blanche) is an opéra comique in three acts by French composer François-Adrien Boieldieu. It was first performed in 1825.
This is the second movement of the second sonata from Six Sonates pour la Flûte traversière avec la Basse, Op. 44 by the prolific French Baroque composer Joseph Bodin de Boismortier. These sonatas were originally published in Paris in 1733.