A New Score a Day!

Welcome to your daily source of free flute sheet music. Our commitments:

  • Every day you will find a new piece of printable flute music to sight-read.
  • No matter if you are a beginner or an expert: the pieces span across all levels of difficulty.
  • If you're a teacher, here you'll find a great deal of free sheet music to use with your students… And to enjoy yourself, too!

But there's more to that:

  • All sheet music is accompanied by an MP3 you can listen to to get a feel of the music.
  • We also post flute duets and pieces with piano accompaniment, and for all these we provide free play-along MIDI and MP3 tracks.
  • Almost everything you'll need during your practice sessions is just a click away: a metronome, flute fingerings, scales, a glossary to search for foreign words…

So… Enjoy! And let us know if you have any request by dropping us a message!

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Tuesday 19 February 2019

Tune of the Day: German Dance No. 2 by Mozart

 from “Three German Dances”, arranged for flute trio

Today we propose an arrangement for flute trio of the second of Wolfgang Amadeus Mozart's Three German Dances, K. 605, composed in 1791.

Thanks to Leighton for suggesting this piece!

Categories: Classical Dance tunesDifficulty: intermediate
Monday 18 February 2019

Tune of the Day: Corrente by J.S. Bach

 from Violin partita in B minor

Johann Sebastian Bach composed the Partita No. 1 in B minor for solo violin, BWV 1002, in 1720. What we present today is a transcription for solo flute of the third movement (or second movement, depending on whether you count the doubles as separate movements) of this Partita, the corrente. In order to fit the range of the flute, the piece has been transposed from B minor to E minor.

Categories: Baroque CourantesDifficulty: intermediate
Sunday 17 February 2019

Tune of the Day: Miss Singleton's Reel

 Traditional Irish reel

The earliest appearance of this tune in print is in Francis O'Neill's Waifs and Strays of Gaelic Melody, published in 1922. The reported source for this melody is one of O'Neill's collaborators, Chicago Police Sergeant James O'Neill, originally from County Down, Ireland.

Categories: Reels Traditional/FolkDifficulty: easy
Saturday 16 February 2019

Tune of the Day: Study in C major by Terschak

 from “Exercices journaliers”

Today we propose the very first piece from Exercices journaliers pour la flûte (or Tägliche Studien in German, i.e. “Daily Exercises”) by Austro-Hungarian composer Adolf Terschak. It was first published in 1867.

Categories: Etudes Romantic Written for FluteDifficulty: intermediate
Friday 15 February 2019

Tune of the Day: Duet in F major by Devienne

 from “Nouvelle Méthode pour la flûte”

This short duet is taken from the Nouvelle Méthode théorique et pratique pour la flûte by the French flutist and composer François Devienne.

Categories: Classical Written for FluteDifficulty: easy
Thursday 14 February 2019

Tune of the Day: Gavotta by Boismortier

 from Flute Sonata No. 2 in E minor

This gavotte is the third movement of the second sonata from Sonates pour la flûte traversière avec la basse, Op. 19 by the prolific French Baroque composer Joseph Bodin de Boismortier. These sonatas were originally published in Paris in 1727.

Categories: Baroque Gavottes Sonatas Written for FluteDifficulty: intermediate
Wednesday 13 February 2019

Tune of the Day: The Battle of the Somme

 Scottish retreat march

This pipe tune, a 9/8-time retreat march composed by Pipe Major William Lawrie (also spelled “Laurie”), commemorates one of the greatest and most terrible battles of World War I, which was fought for 140 days between July and November 1916. Lawrie fought in this horrendous battle as Pipe Major of the 8th Battalion, Argyll & Sutherland Highlanders. He died shortly afterwards from illness and injuries sustained in the trenches, but lived just long enough to see his tune meet immediate success.

In spite of its name, the retreat march is not necessarily a tune which would be marched to; often times it would be played as part of the evening ritual in military camps as day duties give way to night ones. It is not linked to the military maneuver of retreating from a battle, but rather to the idea of refuge and safety in the camp.

Thanks to Phil for suggesting this tune!

Categories: Marches Military musicDifficulty: easy