Tune of the Day: Duet in F major by Hugues
This is the seventh duet from the first volume of La scuola del flauto (The School of the Flute) by Italian composer and arranger Luigi Hugues.
Thanks to Paolo for contributing this piece!
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This is the seventh duet from the first volume of La scuola del flauto (The School of the Flute) by Italian composer and arranger Luigi Hugues.
Thanks to Paolo for contributing this piece!
This gigue is the piece that concludes Bach's Suite No. 1 for Unaccompanied Cello, BWV 1007. The gigue (also called giga or jig, even if these terms are generally only used for its Italian and British counterparts, respectively) was a lively dance, usually in 6/8 time or some other compound time. It was the most common form for the last movement of a Baroque suite.
Thanks to Luis for suggesting this piece!
This hop jig is taken from Francis O'Neill's collection The Dance Music of Ireland, published in Chicago in 1907. O'Neill's source was fiddler James Kennedy, who had the tune from his father Peter, a celebrated local fiddle master from Ballinamore, County Leitrim, Ireland.
This is the fourth study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
This Adagio is the second movement of a Sonata in D major written for three German flutes by Johann Scherer, a German composer of the 18th century.
Thanks to Joyce Kai for contributing this piece!
Today we propose the second movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743.
Thanks to Doug for suggesting this piece!
This slip jig first appeared in Hime's Collection of Favorite Country Dances for the Present Year 1799, published in Dublin. It was then included in many 19th-century English music manuscripts, often under the title “Tobias the Grinder”.