Tune of the Day: Study in D minor by Karg-Elert
This is the second étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo.
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This is the second étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo.
Today's piece was kindly contributed to our collection by its composer, Cheryl Cleveland-Kannianen. It is an arrangement of “Wayfaring Stranger”, a beautiful and haunting traditional melody with unclear beginnings. It likely has its origins in the African American Spiritual, but also contains elements of a Scottish Ballad and influences from the German hymn tradition.
This work is appropriate for an intermediate flute trio or flute choir. The arrangement is written for three flutes, but violin may also work well, especially for Flute 3 with a few minor octave adjustments.
Dr. Cheryl Cleveland-Kannianen is a retired scientist who is now pursuing a Music Degree at Meredith College in Raleigh, NC, with a focus on arranging and composition. Cheryl has been a participant in various flute choirs within the Raleigh Area Flute Association (RAFA) for over a decade.
Antonín Dvořák's opera Rusalka was composed in 1901, and based on the fairy tales of Karel Jaromír Erben and Božena Němcová. A Rusalka is in fact a water sprite of Slavic mythology, usually inhabiting a lake or river. This is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses.
Arguably the most popular excerpt of this opera is Rusalka's aria “Song to the Moon” from Act I. The good-natured old Spirit of the Lake, Jezibab, is enjoying the singing of the Wood Nymphs, when his daughter, Rusalka, approaches him sadly. She tells him that she has fallen in love with a handsome young prince and wishes to become human in order to know the bliss of union with him. Deeply saddened, the Spirit of the Lake consents to her request, and leaves. All alone, Rusalka sings this beautiful aria, confiding in the moon the secrets of her longing.
The earliest appearance of this jig is in John Anderson's A Selection of the most Approved Highland Strathspeys, published in Edinburgh in 1789. The tune was later adopted in Ireland, and can notably be found in Francis O'Neill's early-20th-century collections under the title “Tie the Petticoat Tighter”.
This is étude No. 19 from Italian Romantic composer Giuseppe Gariboldi's collection of 30 Etudes faciles et progressives.
This is the second movement of Georg Philipp Telemann's fourth Canonic Sonata for two flutes. It is marked “Piacevole non largo”, which could be translated as “pleasant (but) not slow”.
This popular nocturne was composed by Frédéric Chopin in the year 1830 for solo piano and dedicated to his older sister, Ludwika Chopin. First published 26 years after the composer's death, the piece is also known by its tempo marking of “Lento con gran espressione” (“Slow with great expression”), or by the popular appellation “Reminiscence”.
The piece is featured in Roman Polanski's 2002 film The Pianist. It is played twice by the protagonist Adrien Brody as Władysław Szpilman, both times at the recording studio at Warsaw Radio at the beginning and the end of the film.