Sheet Music: Marche Slave

TitleMarche Slave
Alternate titlesSlavonic March
Opus numberOp. 31
ComposerPyotr Ilyich Tchaikovsky (1840–1893)
InstrumentationFlute solo
KeyB-flat minor
RangeEb4–Bb6
Time signature4/4
Tempo90 BPM
Performance time5:45
Difficulty levelintermediate
Download printable scorePDF Sheet Music (124 kB) (preview)
Download audio tracksMIDI (change tempo/key) MP3 (2.8 MB)
Date added2010-03-14
Last updated2010-03-14
Download popularity index☆☆☆☆☆ 2.3 (above average)
Categories
Marches, Patriotic, Romantic

Performances

There are no recordings for this tune yet. Submit yours!

Sunday 14 March 2010

Tune of the Day: Marche Slave

by Pyotr Ilyich Tchaikovsky

In 1876, following incidents in which Turkish soldiers killed a large number of Christian Slavs who were rebelling against the Ottoman Empire, Serbia declared war on Turkey. Many Russians sympathized with those they considered to be their fellow Slavs and Orthodox Christians and sent volunteer soldiers and aid to assist the Kingdom of Serbia. In the ensuing struggle the Serbian army was quickly defeated by the Turks.

Nikolai Rubinstein, a close friend of Tchaikovsky, asked him to compose a piece for a concert benefiting the wounded Russian volunteers. In a burst of patriotism, Tchaikovsky composed and orchestrated what was first known as the Serbo-Russian March (later to be known as Marche Slave) in only five days. The piece was premiered in Moscow in November 1876 to a warm reception.

The march is highly programmatic in its form and organization. The first section describes the oppression of the Serbians by the Turkish. It uses two Serbian folk songs. The first, which is known as “Come my dearest, why so sad this morning?”, is played, as Tchaikovsky directs, "at the speed of a funeral march". The second folk song is more optimistic in character. An episode follows, describing the atrocities in the Balkans, in which Tchaikovsky uses his mastery of the orchestra to build a tremendous climax, at the height of which the first folk song returns, fortissimo on the trumpets like a plangent cry for help.

The piece shares a few refrains with the 1812 Overture, with which it is frequently paired in performance; however, the Slavonic March is a more enthusiastically patriotic composition than the 1812 Overture.