Friday 16 October 2026
from “Carmen” by Georges Bizet, arranged for solo flute
This number is taken from the beginning of Act I of Bizet's famous opera Carmen. The act is set in a square in the Spanish city of Seville. From a distance is heard a military march, followed by a band of urchins for the changing of the guard, singing:
With the mounting guard, we arrive; here we are!
Sound, dazzling trumpet! Ta ra ta ta ta ra ta ta.
We march, heads high, like little soldiers,
Marking, without making a mistake,
One, two, marking the step.
Thursday 15 October 2026
Traditional Irish slip jig
The earliest known appearance of this 9/8-time jig is found in Francis O'Neill's collection The Dance Music of Ireland, published in Chicago in 1907.
Wednesday 14 October 2026
from “Etudes mignonnes”
Today we present the eleventh study from Italian composer Giuseppe Gariboldi's Etudes mignonnes (Dainty Studies), Op. 131.
Tuesday 13 October 2026
from Sonata for Two Flutes in E minor
This Allegro in E minor is taken from Belgian Baroque composer Jean-Baptiste Loeillet's second book of Six sonatas of two parts, made on purpose for two German flutes, first published in London in 1720.
Thanks to Joyce Kai for contributing this piece!
Monday 12 October 2026
Arranged for Flute and Piano
César Antonovich Cui was a Russian army officer and a teacher of fortifications; of course, he was also a composer and music critic, and in this sideline he is known as a member of The Five, the group of Russian composers under the leadership of Mily Balakirev dedicated to the production of a specifically Russian type of music.
Like so much of Cui's music, the 24 miniatures that together make up his Kaleidoscope for violin and piano are now forgotten — with the exception of the famous “Orientale”, which has been a staple on violinists' and cellists' encore lists for a full century now. This 6/8 time Allegretto rides along on a tambourine rhythm set up by the soloist in the opening bars. The main tune is offered by the piano a few bars in, and later taken up “con morbidezza” (“with tenderness”) by the violin/cello/flute.
Thanks to Kathrine for suggesting this tune!
Sunday 11 October 2026
Traditional Irish slip jig
This slip jig is taken from Francis O'Neill's collection Music of Ireland, published in Chicago in 1903.
Melodically, the tune seems to cover much the same ground as the more frequently played “The Kid on the Mountain”, though it is itself a distinctive tune.
Saturday 10 October 2026
by Friedrich Burgmüller, transcribed for solo flute
This Arabesque, originally written as a study for solo piano by German pianist and composer Friedrich Burgmüller, is taken from 25 Études faciles et progressives, Op. 100.
Thanks to Emily for suggesting this piece!