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The earliest appearance of this jig is found in John Sutherland's late-18th-century manuscript collection Music for the Bagpipe, containing mostly Scottish and English tunes. The present version is taken from Francis O'Neill's Dance Music of Ireland, published in 1907.
This is the sixth étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo.
This is the first movement of Georg Philipp Telemann's Canonic Sonata No. 2 for two flutes, although it was published as Sonata No. 6 in at least one collection. As with all canons, both players can play from the same part.
Originally written in 1875 for Act IV of the incidental music to Henrik Ibsen's play Peer Gynt, “Solveig's Song” (that is, the song sung by the character Solveig) was later included as the last movement of the second suite extracted from the work.
Perchance both winter and spring will pass
and next summer, and the entire year: —
but at last you will come, that I know for sure;
and I'll still be waiting, for I once promised I would.
Thanks to Françoise from France for suggesting this piece!
This jig is taken from Chicago collector Francis O'Neill's Dance Music of Ireland, published in 1907, but it is certainly much older, as there are records of it under various names (and in different keys) since at least the early 19th century.
A cruiskeen is a small jug or pitcher, especially for holding liquor, popular in Irish and Scottish vernacular.
This study in articulation is étude No. 23 from Italian Romantic composer Giuseppe Gariboldi's collection of 30 Etudes faciles et progressives.
This is duet No. 2 from the first volume of Twenty Easy Melodic Progressive Studies by Italian Romantic composer Ernesto Köhler. The lower voice was originally intended to be played by a teacher, but unlike other duets from the same collection it is not hard to play.