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This is the opening movement of a flute duet in F minor by the prolific Baroque composer Georg Philipp Telemann. It was first published by Telemann himself in 1727 as part of a collection of 6 flute duets, TWV 40:130-135.
This Allegro is the fourth and final movement from Georg Frideric Handel's Oboe sonata in C minor, HWV 366. It was composed around 1711–1712, shortly after Handel's arrival in London, but it was only first published in 1732.
Today's tune was kindly contributed to our collection by its composer, piper Roddy Campbell from the isle of Barra in the Outer Hebrides, Scotland. He writes:
Hamish from Helensburg liked to play his chanter while sleepwalking, thus reducing practice time!
The chanter is the part of the bagpipe upon which the player creates the melody; it looks somewhat similar to a recorder.
Today's piece is the twenty-seventh study from 48 Études pour hautbois ou saxophone, composed around 1835 by German oboist and clarinetist Franz Wilhelm Ferling.
Today we propose the thirteenth piece from Duos faciles et progressifs pour 2 flûtes (Easy and progressive duets for 2 flutes) by Austro-Hungrian flutist and composer Adolf Terschak. It was first published in Paris in 1874.
This is the opening movement of Johann Joachim Quantz's Sonata in G major for flute and continuo, QV 1:109. It is one of many works for flute that Quantz composed for his student and patron Frederick II, King of Prussia.
This is probably the most famous composition by the Irish gentleman musician and composer Walker “Piper” Jackson, who fashioned it around 1775. Jackson was a man of some wealth and land, who lived in a residence known as the Turret that commanded a magnificent view of the countryside. Sadly, a few years after Jackson's death it was struck by lightening, and has been in ruins ever since.
It has been speculated that the title “morning brush“ might refer to Jackson's love for foxhunting (“brush” is the name for the bushy, white-tipped tail of a fox), although some consider this theory a bit far-fetched.