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This “very fast, sparkling” piece is the twenty-ninth étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo.
This Vivace in G minor opens the fourth of Belgian Baroque composer Jean-Baptiste Loeillet's second book of Six sonatas of two parts, made on purpose for two German flutes, first published in London in 1720.
Although Czech composer Julius Fučík is best known for his march “Entrance of the Gladiators”, his real signature piece is this “Florentine March”, written during the composer's long stint as leader of the Royal and Imperial Army's military band. It's a happy, spirited piece in the vein of Johann Strauss's Radetzky March, and a standard selection on concerts of light band and orchestral music. The piece was composed in 1900 as a grand march for an opera never completed. Its original title was “La Rosa di Toscana” (“The Rose of Tuscany”), which was an appellation of the Tuscan city of Florence.
Thanks to Ines for suggesting this piece!
Many versions of this old slip jig exist, with the earliest record being in Hime's Collection of Favorite Country Dances for the Present Year 1799 (Dublin, 1799). The version we present today is taken from Francis O'Neill's The Dance Music of Ireland, published in Chicago in 1907.
This is the very first study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
This Allegro in E minor is the third movement of the second Sonata for three flutes by Johann Scherer.
Thanks to Joyce Kai for contributing this piece!
The second movement of Handel's Sonata in C major for recorder and continuo is in 3/8 time. With its 132 bars, it is among the longest movements of the Opus 1 sonatas.