Tune of the Day: Andantino by Platti
Today we propose the third movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743.
Thanks to Doug for suggesting this piece!
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Today we propose the third movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743.
Thanks to Doug for suggesting this piece!
This 9/8 time jig is taken from Francis O'Neill's collection The Dance Music of Ireland, published in Chicago in 1907. The tune probably descended from an older one, known in England and Scotland as “Andrew Carey”.
Sitting right at the heart of Ireland's lush midlands, County Tipperary is quite well known for its rolling hills, valleys, and majestic mountain ranges.
Today we present the third study from Italian composer Giuseppe Gariboldi's Etudes mignonnes (Dainty Studies), Op. 131.
This is the seventh duet from the first volume of La scuola del flauto (The School of the Flute) by Italian composer and arranger Luigi Hugues.
Thanks to Paolo for contributing this piece!
This gigue is the piece that concludes Bach's Suite No. 1 for Unaccompanied Cello, BWV 1007. The gigue (also called giga or jig, even if these terms are generally only used for its Italian and British counterparts, respectively) was a lively dance, usually in 6/8 time or some other compound time. It was the most common form for the last movement of a Baroque suite.
Thanks to Luis for suggesting this piece!
This hop jig is taken from Francis O'Neill's collection The Dance Music of Ireland, published in Chicago in 1907. O'Neill's source was fiddler James Kennedy, who had the tune from his father Peter, a celebrated local fiddle master from Ballinamore, County Leitrim, Ireland.
This is the fourth study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.