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Today we propose the fourteenth piece from Duos faciles et progressifs pour 2 flûtes (Easy and progressive duets for 2 flutes) by Austro-Hungrian flutist and composer Adolf Terschak. It was first published in Paris in 1874.
This Grave in G minor is the central movement of Johann Joachim Quantz's Sonata in G major for flute and continuo, QV 1:109. It is one of many works for flute that Quantz composed for his student and patron Frederick II, King of Prussia.
The earliest known appearance of this tune is in Gough's Collection of Country Dances for the Year 1802.
A cravat is the precursor of the modern necktie. The garment was also a means of identification for faction fighters in Ireland in the 19th century, in imitation of its use by late 18th-century gentlemen such as uilleann piper Walker ‛Piper’ Jackson, to whom the title refers.
Today we propose the thirteenth piece from 24 Studi di perfezionamento per flauto, Op. 15, by Italian flutist, composer and arranger Luigi Hugues. It was first published in Milan in 1904.
This is the opening movement of a flute duet in F minor by the prolific Baroque composer Georg Philipp Telemann. It was first published by Telemann himself in 1727 as part of a collection of 6 flute duets, TWV 40:130-135.
This Allegro is the fourth and final movement from Georg Frideric Handel's Oboe sonata in C minor, HWV 366. It was composed around 1711–1712, shortly after Handel's arrival in London, but it was only first published in 1732.
Today's tune was kindly contributed to our collection by its composer, piper Roddy Campbell from the isle of Barra in the Outer Hebrides, Scotland. He writes:
Hamish from Helensburg liked to play his chanter while sleepwalking, thus reducing practice time!
The chanter is the part of the bagpipe upon which the player creates the melody; it looks somewhat similar to a recorder.