Multilingual Music Glossary

# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Found a word you don't know? No problem. Look it up in the Music Glossary!

We are currently providing explanations for 2484 terms from 12 languages, including English, Italian, French, German, Spanish, Dutch, Swedish, Finnish, Latin…

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Please note: a music glossary is just like a dictionary. It contains explanations to musical terms. If you are looking for a piece, please go here instead: search tunes.

Some random terms

  • articulation The manner in which adjacent notes of a melody are connected or separated. Woodwind and brass instruments generally articulate by tonguing, the use of the tongue to break the airflow into the instrument.
  • stretto [Italian] A directive to quicken the tempo.
  • Zimmerman numbers The numbering system identifying compositions by Henry Purcell.
  • console [French] Keyboard, stops and foot pedals of an organ.
  • principal A section leader in a large ensemble (band or orchestra) also called first chair, except for the first violins, where the leader is termed the concertmaster.
  • program symphony A multi-movement composition with extra-musical content that directs the attention of the listener to a literary or pictorial association.
  • schwungvoll [German] Rousing, spirited, energetic.
  • einfach [German] Simple.
  • réjouissance [French] A jubilant composition used to conclude some Baroque orchestral suites.
  • ionian In the system of modes, the ionian mode is the one based on C; therefore, it is the modern major scale.
  • ambitus [Latin] A range of pitches for a given voice in a part of music. It may also denote the pitch range that a musical instrument is capable of playing.
  • air A short song, melody or tune, for voice or instrument.
  • sonata da chiesa [Italian] A baroque instrumental work intended for performance in a church, generally in four movements, arranged slow, fast, slow, fast.
  • Italian overture The baroque precursor of the classical symphony, evolved during the 17th and 18th centuries; it is characterized by its three movement form, consisting of a fast, a slow, and a fast movement.
  • codetta [Italian] Literally, “little tail”. A passage similar to a coda, but on a smaller scale, concluding a section of a work instead of the work as a whole.