This is the second movement of a Sonata in E written for three German flutes by Johann Scherer, a German composer of the 18th century.
Thanks to Joyce Kai for contributing this piece!
Today we propose étude No. 15 from Italian flutist and composer Ernesto Köhler's 25 Romantic Studies, Op. 66. You should give the impression that this piece is played by two flutists, one playing the melodic phrase and the other playing the accompaniment.
The earliest appearance of this slip jig is in Chicago Police captain Francis O'Neill's collection Music of Ireland, published in 1903. Quite suitably, the tune is also known as “There is No Milk in the House”.
As the name says, this fourteenth movement is the grand finale of Saint-Saëns's most famous work, Le Carnaval des Animaux. This piece can be heard in the animated Disney film Fantasia 2000, in which a flock of flamingos is annoyed by another flamingo playing with a yo-yo and attempt to make him fall into step with their dance routines. It is important to observe that, although the melody of the Finale is relatively simple, the supporting harmonies which show up in the original arrangement are heavily ornamented with dazzling scales, glissandi and trills.
Thanks to Luis for suggesting this piece!
This is the fourth duet from La scuola del flauto (The School of the Flute) by Italian composer and arranger Luigi Hugues.
Thanks to Paolo for contributing this piece!
This piece, to be played “a little bit agitated, but well-phrased”, is the twenty-seventh étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo.
This 9/8-time jig is taken from O'Neill's collection The Dance Music of Ireland, published in Chicago in 1907. “Aisy” is just an old form of the word “easy”, still used by a lot of people in Ireland.
The tune is almost certainly a descendant of a Scottish air and dance tune known as “Woo'd and Married and a'”, dating back to the early 18th century.
The second movement of Handel's Sonata in C major for recorder and continuo is in 3/8 time. With its 132 bars, it is among the longest movements of the Opus 1 sonatas.
This Allegro in E minor is the third movement of the second Sonata for three flutes by Johann Scherer.
Thanks to Joyce Kai for contributing this piece!
This is the very first study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
Many versions of this old slip jig exist, with the earliest record being in Hime's Collection of Favorite Country Dances for the Present Year 1799 (Dublin, 1799). The version we present today is taken from Francis O'Neill's The Dance Music of Ireland, published in Chicago in 1907.
Although Czech composer Julius Fučík is best known for his march “Entrance of the Gladiators”, his real signature piece is this “Florentine March”, written during the composer's long stint as leader of the Royal and Imperial Army's military band. It's a happy, spirited piece in the vein of Johann Strauss's Radetzky March, and a standard selection on concerts of light band and orchestral music. The piece was composed in 1900 as a grand march for an opera never completed. Its original title was “La Rosa di Toscana” (“The Rose of Tuscany”), which was an appellation of the Tuscan city of Florence.
Thanks to Ines for suggesting this piece!
This Vivace in G minor opens the fourth of Belgian Baroque composer Jean-Baptiste Loeillet's second book of Six sonatas of two parts, made on purpose for two German flutes, first published in London in 1720.
This “very fast, sparkling” piece is the twenty-ninth étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo.